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After talking with senior producer Jason Bergman and senior designer and project director on Dead Money, Old World Blues and Lonesome Road Chris Avellone, Will Ooi turned his attention to New Vegas' and Honest Hearts project director and lead designer J.E. Sawyer for the latest edition of his "Unmasking the Gamers" feature, available both on his blog and on Gamasutra. Here's a couple of snippets:<blockquote>WO: At Black Isle Studios when you were appointed the lead designer of the later-cancelled Fallout 3/Van Buren project, what did you have in mind to bring to the series? We've seen many of those original concepts used in New Vegas - was it always a plan to delve into post-apocalyptic political/religious conflict?
JS: Van Buren was not as political as New Vegas, mostly because the political theatre was west of where the "Prisoner's" story was happening. The religious conflict in New Canaan was restricted to that area, and was mostly an internal conflict rather than one with external pressure.
As for what I wanted to bring to the series, personally, I was initially interested in adjusting mechanics, making gameplay more enjoyable, and making as many player builds viable and rewarding as was practical. At the beginning of the project, I was just the lead system designer. It was only later, after Chris Avellone left Black Isle, that I took over as the game's lead designer. The majority of the story content had already been developed by Chris. I was mostly re-arranging the content into something I thought our shrinking team could get done.
[..]
WO: Based on the answers on your Formspring account and also New Vegas and the Honest Hearts DLC, you seem passionate on incorporating a balanced, worldly view into your games. Do you see the medium as possibly being a foundation for education?
JS: I think all methods of communication can be didactic, but I prefer provoking players to start an internal dialogue rather than presenting a "correct" world view or opinion. It's one of the reasons I think RPGs have the potential to be so compelling. When you read a book or watch a film -- or even when you play most games -- characters take action and make decisions within the context of a story and the singular narrative the creators have defined. You have the ability to judge those actions as a passive viewer, but that's much different from being asked to actually make the choice yourself.
Ultimately, I want people to be able to relate the problems they face and the choices they make in games to the real world. Some people view games as pure escapism. I am not interested in making games that promote the individual's retreat from the world. I want to make games that create worlds parallel to our own, that make players compare and contrast the things they experience in games with what is happening all around us every day.</blockquote>
JS: Van Buren was not as political as New Vegas, mostly because the political theatre was west of where the "Prisoner's" story was happening. The religious conflict in New Canaan was restricted to that area, and was mostly an internal conflict rather than one with external pressure.
As for what I wanted to bring to the series, personally, I was initially interested in adjusting mechanics, making gameplay more enjoyable, and making as many player builds viable and rewarding as was practical. At the beginning of the project, I was just the lead system designer. It was only later, after Chris Avellone left Black Isle, that I took over as the game's lead designer. The majority of the story content had already been developed by Chris. I was mostly re-arranging the content into something I thought our shrinking team could get done.
[..]
WO: Based on the answers on your Formspring account and also New Vegas and the Honest Hearts DLC, you seem passionate on incorporating a balanced, worldly view into your games. Do you see the medium as possibly being a foundation for education?
JS: I think all methods of communication can be didactic, but I prefer provoking players to start an internal dialogue rather than presenting a "correct" world view or opinion. It's one of the reasons I think RPGs have the potential to be so compelling. When you read a book or watch a film -- or even when you play most games -- characters take action and make decisions within the context of a story and the singular narrative the creators have defined. You have the ability to judge those actions as a passive viewer, but that's much different from being asked to actually make the choice yourself.
Ultimately, I want people to be able to relate the problems they face and the choices they make in games to the real world. Some people view games as pure escapism. I am not interested in making games that promote the individual's retreat from the world. I want to make games that create worlds parallel to our own, that make players compare and contrast the things they experience in games with what is happening all around us every day.</blockquote>